The title refers to the unrest and uncertainty present in every newscast and is exemplified in the Tree House work that wobbles on four legs. While there is a literal reference to the Tree House, the paintings are derived from a more symbolic and emotional space. Without attempting to define the subconscious or state of mind, elements of memory, as well as contemporary issues are also involved in developing the painted images. The personal calligraphy present in the work is a result of working with materials that allow a freedom of movement and physical energy. The titles are how I see the work today, tomorrow may be different.
The first nine images on the Gallery page are from the Tree House and other Precarious Alignments exhibition.
There are many influences that rise to the surface when I am working. The process is intuitive, the work abstract. The smallest mark can trigger a memory and lead to an entire series. I like to make that connection and let the work evolve as a network of images.
A recent image, "Evil Twin" is about the nature of opposites and what we are all capable of. The two sections of handmade paper are stitched together as reference to this duality. The stitching that holds the two sections is loosely tied to suggest a tenous balance. There is a different balance in working with encaustic on rice paper. The paper is made translucent with wax and the image appears to float. The fragile nature of an image being encased in a medium dependant on the surroundings is a reference to our change in climate. Many of my images consider this impermanent state. An ongoing series, "Learning Languages" looks at change, how we communicate and where we store our memories in a rapidly changing environment.
In my travels, I am drawn to places with ancient markings; Peru, Bolivia and the mystery of megalith stones that have survived through time. Time and change, memories, emotions, poetry, and current happenings all somehow merge and mix to influence my choice of materials and the images that come to life.
Sandra Beard moved to California from Canada. She received her B.A. in Fine Art from the University of Ottawa, Ontario and a Master of Fine Arts degree from San Jose State University. Other studies include working with Master Printer, Joe Zirker and residencies at KALA, the Edna St. Vincent Millay Colony and the Vermont Studio Center. Her prints and paintings have been exhibited locally and internationally: Spain, France, England, Korea, New Zealand and Denmark. Beard's art experience includes teaching, curating exhibitions, and producing art programs for the community. She is a juried member of the California Society of Printmakers, the Los Angeles Printmaking Society, and the Boston Printmakers and currently maintains a studio in Sacramento.